Stuart France writes at:https://franceandvincent.com/
Stuart France writes at:https://franceandvincent.com/
Field-Mouse was out gathering wild-beans for winter when Buffalo came down to the meadow to graze.
‘He will mow down the long-grass with his prickly tongue and there will be no where left to hide,’ thought Field-Mouse, ‘I will offer him battle, like a man would do.’
“Ho, Buffalo!” squeaked Field-Mouse, “I challenge you to a fight.”
Buffalo went on grazing.
Field-Mouse repeated his challenge but still Buffalo went on grazing.
With his third challenge, Field-Mouse laughed contemptuously at Buffalo’s inaction.
“You had better keep still, little one,” said Buffalo, still grazing, “or I will come over there and step on you.”
“You can’t do it!” squeaked Field-Mouse in defiance.
“If you don’t be quiet I will certainly put an end to you,” said Buffalo, quietly.
“I dare you!” said Field-Mouse.
Before Field-Mouse had quite finished, Buffalo charged at him…
Something untoward is about to happen
on the edge of Langsett Forest…
The Langsett Foxes have their Fire Festival
usurped by a Pack of Hellish looking Hounds…
And you think Charles James Fox will be okay with that? …
Bone-white winter gleams in the moonlight. Silent shadows hunt in the night…. The Hunter’s Moon sails above dark hills, caught in the empty fingers of the treetops. A mysterious company gathers to kindle the flames of the dance; arcane patterns of fire woven in the blackness to the beat of the drums. Silent as ghosts in the darkness, others follow their trail, lurking in the night to watch… and wait… seeking their chance to usurp the forest throne… Old Fox wanes with the fading year, his fur touched by the silver of frost. Can he hold his realm against the ghostly challenge of the Demon Dogs? Yet all is not lost. They have seen it in the smoke… three magicians use their arts to breathe life into the spirit of Fox…
Available on Amazon UK, Amazon US and worldwide.
For more details of Mister Fox, visit his earth…
‘…The Earth will see you on through this time…’
…There always is.
The Marsh King sinks back beneath the waters with the unnamed Egyptian Princess in his thrall.
Some time later a green shoot with a water-lily bud appears above the slime.
The bud unfurls to reveal a small girl-child.
The child is spotted by a watching Stork and is taken to a barren Viking couple who, quite naturally, are enthralled with the gift and immediately besotted with the child.
Children normally display both the physical and temperamental characteristics of their ancestors, predominantly their parents, and usually in more or less equal measure.
Here, these tendencies are pronounced.
Helga, for this is the name the Viking couple choose for her, is a beautiful girl-child during the day, albeit displaying a strong blood-thirsty streak, whilst as the sun sets she turns into a compassionate, toad-like monster!
Is the name significant?
How important is it that Helga is the only named character in the story?
Could any device be better chosen to make us consider the diurnal polarity of Day and Night and their profound affects upon our consciousness and its natural tendencies?
If we are in any doubt as to what we are to make of these devices we are introduced to the somnambulistic nature of both Denmark and the nether regions of Marsh-Land later in the tale.
To make matters worse, Helga’s apparent beauty beguiles all those who gaze upon her and blinds them to the reality of her brutish day-time nature.
It is only her adoptive Viking mother who witnesses and begins to see and realise the true nature of the problem presented to both her, and by extension us, in the form and expressions displayed via the mysterious Marsh King’s Daughter.
There is more…
THE INFINITE HIGHWAY
If one always returns to where one came from,
then one’s destination is halfway between where
one came from and where one is going to.
HALFWAY TO INFINITY
Every step along the infinite highway is simultaneously
an equal distance between an infinite future
and an infinite past, that is, it is halfway to and from infinity.
EQUAL PARTS OF INFINITY
To find the halfway point of any distance,
one first splits the distance into equal parts then,
when the number of equal parts remaining is equal
to those that have passed one has one’s halfway point.
The equal parts of infinity, however, are all infinite.
Infinity is the only thing that can be split into… infinities.
This is known as counting the for evers of forever.
Reflecting upon all this it appears…
‘The Ancient of Days’
Is a good poetic name for infinity.
THE INFINITE HOTEL
A Traveller approaches the Infinite Hotel and asks The Ancient of Days for a room.
Now, there are an infinite number of rooms in the Infinite Hotel, however, the Traveller is informed by the Ancient of Days that all the rooms in the Infinite Hotel are taken.
Q: How does the Traveller get a room in the Infinite Hotel ?
A: The Ancient of Days asks the occupants of Room 1 to move into Room 2 and the occupants of Room 2 to move into Room 3…and so on… and on… Infinitely, thus making room for the Traveller.
At any one time in the Infinite Hotel then, there will be any number of people on the corridors moving from one room to the next, and this number will be dependent on how many Travellers are seeking a room in the Infinite Hotel…
All the rooms in the Infinite Hotel have a name…
All the rooms in the Infinite Hotel have the same name…
The name of all the rooms in the Infinite Hotel is ‘After-Life’.
All the corridors in the Infinite Hotel have a name…
All the corridors in the Infinite Hotel have the same name…
The name of all the corridors in the Infinite Hotel is ‘Life’.
The occupants of each room in the Infinite Hotel have names…
The occupants in the room before yours are called ‘Parents’
The occupants in the room after yours are called ‘Children.’
The act of moving from room to corridor is called ‘Birth’.
The act of moving from corridor to room is called ‘Death’.
‘Life Duration’ in the Infinite Hotel can be defined as,
the amount of time spent in the corridor
before moving into the next room…
For practical purposes they are like elephants and flowing water.
They follow the shortest, flatest path to wherever they are going, and en route the jagged edges first get smoothed and then get worn away.
In this particular case we are on the path to understanding…
‘Standing Stones of the Druids’
‘STANding sTONes of the DRUids’
There are a number of ‘Stantons’ in England with an attendant ancient site, and for a long time these places were associated with Druids although we now know that they were around a lot earlier than the period normally associated with those infamous ‘Old-Time-Sages’.
This ‘fella’, could easily be a druid, although he could just as easily be a she, in which case one would be tempted to call her a witch.
It is the first stone that greets you at the site.
If you look closely at the first photograph you can see some of the other stones lurking in the background.
On our first visit to this site we were struck by how utterly ‘other’ the stones appeared in relation to their environment.
When Pieman was very young,
and living at the beginnings of time,
he often slept with the Cave Bear Clan during stormy weather.
Over the course of many such nights,
Big Brown Bear who was also very old,
taught Pieman the nature of his belly-roar.
To this day,
Pieman makes use of his roar in dreams,
but only to pacify strangers and to quiet the rowdy,
and those of us who have difficulty understanding the Ancient Tales.
Had there been any doubt about where we were going next…
Which there wasn’t.
For once, our destination proved quite easy to get to.
A car park was suggested by the guidebook and in the car park were easy to follow directions.
Not too far away to be too uncomfortable.
But just far enough away to deter commercialisation.
These are all metaphors.
And the metaphors continued at the mouth of the cave.
Whose approach to the interior provided an effective deterrent against the casual tourist.
But not to us because we are not.
The thing about caves…
You never want them to end…
But they always do.
Which is why we deal in metaphysics.
The way beyond the end of the earth is Geometry.
Which does not so much measure the earth.
As inform it…
If we want a yardstick,
for how far we have travelled from our Gods…
We need only consider the once widespread custom
of sacrificing a first-born child…
It hardly seems credible from this vantage,
irrespective of its counter productivity in an era of high infant-mortality.
What can these religions have been thinking?
That God was greater than mankind?
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