Category Archives: photography

Overkill Hill…

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Never look back!

It is good advice, unfortunately, in story-telling this advice,

when given, is never adhered to.

Orpheus… Lot… Dr Faustus…

They are all concerned with Soul.

The Soul that turns to look back is caught in time.

It may be an ‘intention thing’, like trying to serve two masters, do not walk one way and look the other.

There are any number of mythological monsters depicted in this way to prove it.

Tiamet… Nergal… The Dread Beast of Mercia.

The hero ‘slays’ them all, by moving forward.

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But going back to take another look, that is different.

That is part of going forward.

And it is also inevitable.

This time we inadvertently found ourselves following our own advice from one of our books.

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We started at Hordron’s, that hoary old receptacle of time, went on to Strines, the ‘Peacock Pub’, and finished up at the Old Horns Inn.

And this time when we got to Bradfield, ‘Castle Hill’ was illuminated.

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No need to wonder where we will be heading next then.

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But first, we had another encounter with one of our mounds to experience.

We needed more photographs.

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And photographs…

Were duly forthcoming.

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Once we had braved the curiously over-friendly sheep…

Traced by Angels…

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‘Of wheel-tracks there were none just strange,

narrow paths across the moorland.’

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With the dust well settled over the Living Land Workshop, and already two days into our vacation, we found ourselves in search of a map.

A big map.

One which showed in greater detail the ways and by-ways of Old Cornwall.

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We had done well that first day, discovering a goodly number of the most obvious and easily accessible sites…

But this was going to need precision.

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We had a name.

We had a description.

We even had a picture, and now, we had a good map.

We could not fail, could we?

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Still Stone-Less At-Chat…

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“No one in their right mind believes that stones can walk.”

“Despite the fact that the Folk-Record is unequivocable on this point.”

“It is also unequivocable about stones dancing, and drinking from streams.”

“I may be able to clarify the streams. They may be underground.”

“They may even be telluric currents, but you promised.”

“That, unfortunately, is deductive reasoning for you. It was the only bit of wall we had not checked.”

“We had so checked it… last time.”

“Only from a distance and that does not count.”

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As it turned out there proved to be another bit of wall we had not checked.

Also distant and too far away to consider once the snow started.

I mean, really started.

There were compensations though, like the trees and the wildlife.

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“Are you sure it isn’t the Throne-Stone?”

“Not near enough to the wall and the gate.”

“But the wall is a mnenomic. Your mind could easily have contracted the distance.”

“Not the right size, or colour.”

“Like that’s not easily accounted for.”

“Maybe you’re right and I’ve discovered a new species of stone, which can walk!”

“But that would be a New-Old species of stone.”

“So perhaps it just went for a stroll, again.”

“What, in the snow?”

“…We did.”

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The Old Woman’s Hole…

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PC 963 Kraas turned and walked head-long into the sea breeze.

Her hair flicked in the wind like rampant flames.

“You know, I can’t help feeling we’ve missed a trick with this one.”

“It’s mentioned in the book,” replied Jaw-Dark pensively, “and in any case, it’s a pleasant enough spot.” He paused and bent down to look through a large eye-shaped ‘blow-hole’ in the promontory.

“What’s that?” said Kraas.

“Well, that depends…” said Jaw-Dark.

“That depends upon what?”

“…Upon your perspective,” finished Jaw-Dark.

“Nothing is ever straightforward with you is it?”

“The Irish name for this and other similar landscape features is Poll na Seantuinne.”

“Which means?”

“‘Hole of the Old Wave’.”

Just then the sea crashed beneath the promontory and the foaming waves, in the mouth of the sea cavern, a hundred feet below could be clearly seen through the ‘chasm-hole’.

“Seems an apt description,” said Kraas, “if a tad unnerving.” Her gaze followed the slow drag of the tide and then lifted to the sky where wisps of grey cloud scudded on the wind, “in the beginning,” she said, “everything was chasm and chaos.”

“There is though another interpretation.”

“Which is?”

Poll na Sean Tiene means ‘Hole of the Old Fire’.”

“Okay, I can see where that might fit in with some of their concerns. Especially with all this baleful eye stuff.”

“Personally though I prefer the third alternative…”

“Ever the storyteller,” smiled Kraas, “Well, I’m waiting!”

Poll na Seantuine,  is the ‘Hole of the Old Woman.”

Kraas’ smile turned to a grimace, “Well, I wouldn’t go shouting that particular preference from the cliff tops if I were you,” she said through the grimace, and then added more seriously, “so which one is it?”

“Unfortunately for us and also quite possibly for them too, it is more than likely that it is all three of them.”

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Lands of Exile:

KITH ‘N’ KIN

Stuart France & Sue Vincent

The Beeley Stone, ‘liberated’ from the churchyard at Bakewell, stands proudly in the centre of its village green once more. While the locals enjoy the fruits of its restoration, Ben, who had led the daring raid against authority, still languishes in jail.

Don and Wen, arrested and released without explanation in Ireland, now plot an erratic course through the wild places of Wales, while Jaw-Dark and Kraas, seeking the legendary stone of Fergus Mac Roy, have been separated in the most uncanny of circumstances…

As the darkness closes around them, the Black Shade haunts the moors above Beeley and, in the shadowy rooms of the old tower, an ancient and even stranger story begins to unfold…